Stephen Rowley

377 posts

The Victorian Car Parking Review: Why it Matters and What Should Happen Now

Urban Planning

God's Abacus

There was movement on one of the most long-awaited planning reviews going around last week, with the announcement that a new Advisory Committee will examine draft car parking controls and prepare a further report.

The car parking controls have become the bad joke of Victorian planning. The current review recently passed its seven year anniversary, having been initiated in May of 2004. The original terms of reference for that review made it clear it was building on earlier work conducted by Hansen Partnership in 1999, and then-Planning Minister Robert Maclellan was telling Planning News that a review was imminent back in the mid 1990s. The draft Advisory Committee report was released in 2007, but a long silence followed: we were already making fun of the former government’s inaction on the topic in Planning News back in May of 2008. The change of government had only deepened the suspicion that we might never see action on this front.

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An Urban Planner’s Guide to the Melbourne International Film Festival

Film Urban Planning Urban Planning and Film

I had planned to do a fairly detailed post about the upcoming Melbourne International Film Festival, but I have been distracted by the release of the truly stupefying Small Lot Housing Code.  However, it would be wrong of me, given the dual focus of this page, not to at least note the amount of urban planning content on at MIFF this year.

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The Small Lot Housing Code: Is it Ready to Use?

Urban Planning

artifact
The Growth Area Authority have released their Small Lot Housing Code, following the Planning Minister’s announcement of it last week. It’s a strange beast, worthy of some comment both for its importance (this is potentially a major shake-up of how housing is to be delivered in Victoria) and for the nature and content of the document itself.

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And to Think That I Saw it on Colonial Street

Film Television Urban Planning Urban Planning and Film

Colonial Street B

A while back I posted about Courthouse Square, the classic town square used in countless film and television productions. As I argued then, I think these backlot places are interesting because they at once reflect and shape our ideas about community. When Hollywood production designers build a backlot set, they will aim for something that is at once familiar yet generic (since it will be used in many productions), while simultaneously desirable (since Hollywood films tend to show a world that is a little bit more exciting and interesting than our own). That’s the part where they reflect our desires.

Yet once built, those sets reappear in many productions. Over time, with repetition, those generic backlot communities can come to actually shape our image of community. I don’t want to over-sell this idea: obviously we don’t simply passively absorb a picture of the world from movies and then start to believe this is the way the world is, or should be. But I do believe that pop-culture iconography is party of the language we draw on to make sense of the world, and that Hollywood’s images of the quaint small towns, leafy suburbs, or the polluted big city become powerful visual signifiers that influence the way we picture different types of community.

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Old School Spielberg

Film Film Reviews

Super 8 (J.J. Abrams, 2011)

With Super 8, J.J. Abrams pays tribute to a body of work that some feel Hollywood has been methodically aping for thirty years: Steven Spielberg’s work of the late 1970s and early 1980s. Yet even if you accept the Peter Biskind “Hollywood drank Spielberg’s Kool Aid and was forever changed” school of thought – about which I said a bit more here – you’d have to acknowledge that it was a particular aspect of Spielberg’s filmmaking that Hollywood latched on to. The lesson everybody seemed to learn from Jaws, Close Encounters, and E.T. (plus George Lucas’ Star Wars) was that people were after escapist, wonder-inducing science fiction and fantasy. What almost all of the imitators didn’t understand, or couldn’t replicate, was Spielberg’s knack for depicting the real world setting and the domestic backdrop against which the adventure took place. That, of course, was what made the transition to the extraordinary and other-worldly in Spielberg’s work so effective. What makes Super 8 really interesting, albeit not completely successful, is the care Abrams devotes to replicating that more mundane side of the Spielberg formula.

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Starting Over

Urban Planning

like clockwork

So the Victorian Planning Minister, Matthew Guy, has established an Advisory Committee to “overhaul” the Victorian planning system. Talk about a mixture of feelings.

It’s worth reflecting on how many reviews there have been into the functioning of the Victorian system since the major overhaul in the 1990s that produced the VPPs. In terms of reviews or audits of either the overall operation of the system, or very substantial parts of it, we have the following:

  • Better Decisions Faster: Opportunities to Improve the Planning System in Victoria (August 2003)
  • Cutting Red Tape in Planning (August 2006)
  • Making Local Policy Stronger – Report of the Ministerial Working Group on Local Planning Policy (June 2007)
  • Melbourne 2030: Audit Expert Group Report (March 2008)
  • Victoria’s Planning Framework for Land Use and Development (May 2008)
  • Modernising Victoria’s Planning Act (various discussion papers throughout 2009)

It’s a bit shocking just putting the list together. That doesn’t include the various reports into particular bits of the system, such as the smaller system reviews still noted as active (as I write, this includes the controls for advertising signs, home based business, the residential zones, parking provisions, retail policy, and the State Planning Policy Framework) and a few others that seem to have gone AWOL (such as the review of the heritage overlays, or the functioning of Section 173 Agreements).

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Gratifying and Infuriating All at Once

Film

Update:Ain’t it Cool have now posted the full Spielberg interview referred to in this post: it’s here and well worth a read for Jaws fans.

Ain’t it Cool have released some snippets of a forthcoming interview with Steven Spielberg that are at once infuriating and gratifying.

Gratifying, in that Spielberg confirms that the Blu-Ray of Jaws (forthcoming at an undisclosed date) will have no Star Wars Special Edition-style alterations. Spielberg, it should be remembered, practically invented the modern craze for re-cutting movies with his “Special Edition” of Close Encounters in 1980. That movies’ muddied history shows both the best and worst of this kind of thing. The cut he eventually came up with the second time he revisited the film, in 1998, is in my view the best version of the film. Yet between 1980 and 1998 he managed to keep the original version out of circulation, prompting Pauline Kael’s memorable complaint that “…when you remember something in a movie with pleasure and its gone, you feel as if your memories had been mugged.” George Lucas’ butchering of Star Wars has become the key example of this kind of chicanery, although Spielberg’s recut E.T. is very nearly as bad.

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