polanski

2 posts

Polanski’s Repulsion

The arrest of Roman Polanski on the outstanding warrant for the 1977 charges of unlawful intercourse with a minor has brought new attention to an aspect of the directors’ life that many still find murky. It will also no doubt revive interest in Marina Zenovich’s Roman Polanski: Wanted and Desired, the documentary on Polanski that played at the Melbourne International Film Festival last year (which I reviewed here). With some reservations – explained in my review – I recommend the documentary for those who are finding the complex history of Polanski’s charge, trial and exodus confusing.

What I find both interesting and disturbing is, as I noted in that review, the extent to which Polanski has been rehabilitated into public life. These are, after all, very serious child sex charges, and normally our society would see nothing as more unforgivable. There are some mild mitigating factors, but nothing that comes even close to excusing what Polanski – even by his own account – did. Yet somehow excuses seem to be made for Polanski, to the point where we need articles like Kate Harding’s outraged reminder that Polanski raped a child to bring the focus back on the original crime.

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Skipping Town

Roman Polanski: Wanted and Desired (Marina Zenovich, 2008)

The entry in the Melbourne International Film Festival program for Marina Zenovich’s documentary about the trial of Roman Polanksi for unlawful sex with a thirteen year old girl film poses the question: “Was Polanski guilty, or was it the case of a trial judge seeking personal notoriety?” It’s an idiotic question: of course Polanski was guilty. He plead guilty at the time, has always admitted to having sex with the girl, and there is no suggestion otherwise in the documentary.

This basic fact hangs uneasily over the whole film, and despite it being quite sympathetic to Polanski, there’s little doubt that he wouldn’t relish the case being thrust back into the public eye: I can’t think of anyone else who has been rehabilitated into public life like Polanski has been after such a crime. And while the documentary is entertaining and interesting for its full length, I felt uncomfortable in its first half at the apparent implication that Polanski had in some ways been a victim of the trial process. In the early stretches, Polanski’s difficulties seemed merely to be the expected firestorm of publicity and the obvious problems that would accompany being charged with a serious crime, and I was having trouble making sense of the allusions to Polanksi’s apparently unjust treatment.

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